Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)


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Le cause di questa continua polemica sono state perfettamente descritte da Maria Pia Casalena nel suo saggio Controstorie del Risorgimento: Con queste parole, Pino Aprile nel suo best-seller Terroni individua i termini del dibattito dal punto di vista neoborbonico:. Immagine tratta da www. Enrico Francia in Risorgimento conteso. Riflessioni su intransigenti, giornalisti e storici nota con attenzione e precisione che:. Ci stiamo accorgendo che i conflitti culturali rendono un argomento molto meglio di una generica esposizione. Il dibattito alimentato dai media tra gli ambienti neoborbonici e il mondo accademico ha dunque perso qualsiasi caratteristica tipica del confronto storico ricerca delle fonti, studio della documentazione, valutazione e confronto oggettivo sui risultati raggiunti per ridursi a uno scontro fra interpretazioni contrapposte che hanno uguale valore per il solo fatto di essere espresse.

Siamo convinti che la sfida vera sia proprio questa: Di seguito elenchiamo una serie di studi citati dagli autori neoborbonici con le relative recensioni pubblicate sul sito del movimento e altri che sono intervenuti nel serrato dibattito sulla questione delle cause del divario nord-sud. Ecco la recensione pubblicata sul sito del Movimento Neoborbonico:. Grazie Italia per averci ridotti come siamo oggi, meritevoli di incassare tutti gli improperi e le ingiustizie che da anni ci piovono addosso! I due studiosi concludono quindi il loro saggio con una provocazione, nemmeno tanto velata, che suona come una vera e propria ricusazione dei maldestri tentativi neoborbonici di strumentalizzare le loro ricerche:.

Naturale dunque che il nascente mercato delle valute premiasse quella napoletana a discapito di quella di casa Savoia. Il prodotto agricolo pro capite era, nel , superiore nel Sud del 10 per cento rispetto a quello del Nord. Per i servizi non disponiamo di stime fino al , quando il loro valore in termini pro capite era superiore nel Nord che include Roma rispetto al Sud di un 10 per cento.

Il divario economico fra le due grandi aree del paese in termini di prodotto sembra invece essere un fenomeno successivo. Il divario economico conseguenza delle politiche post-unitarie, questa sembra essere, in estrema sintesi, la tesi di Daniele e Malanima. Per lo storico economico, infatti:. Come abbiamo visto, tale affermazioni non hanno alcun fondamento storico. Il Mezzogiorno fra storia e pubblicistica 5 di Daniele e Malanima, pubblicato sempre dalla Rivista di Storia Economica n.

Diversi sono gli studi importanti e approfonditi che non vengono da loro mai menzionati. Felice muove quindi a Daniele e Malanima una doppia e severa critica: Non sta certo a questo articolo giudicare la preparazione storica di due storici economici di grande livello come Daniele e Malanima ma non possiamo non evidenziare quantomeno la scarsa dimestichezza con la storiografia storica che porta ad una miscela davvero singolare tra le loro attente e scrupolose ricerche e le provocazioni della pubblicistica neoborbonica.

Piemme, Rizzoli e Utet. Ha al suo attivo numerose pubblicazioni di matrice revisionistica sul periodo risorgimentale: Maledetti Savoia Piemme ; Indietro Savoia! Con queste calorose parole De Crescenzo descrive la sua amicizia con Del Boca:. Ha al suo attivo numerose pubblicazioni di carattere revisionistico: Pino Aprile , il successo come autore e saggista coincide con la pubblicazione del primo libro sul revisionismo neoborbonico: Dopo il successo di Terroni sono seguiti altri libri sempre sulla questione meridionale: La fine della questione meridionale Piemme ; Il Sud puzza.

Hanno eletto in Terroni il loro libro culto di riscatto […]. La chiave del successo di Aprile infatti non sta in quello che racconta ma in come lo racconta; meglio di altri lo scrittore di Gioia del Colle ha saputo prima stupire, trasformando avvenimenti e notizie conosciute in scoop sensazionalistici, e poi indignare il lettore, in particolare meridionale.

Una storia finanziaria JacaBook pubblicato postumo e al quale Zitara ha lavorato, rivedendone le bozze, fino a pochi giorni prima della sua morte. Fulvio Izzo , ex dirigente dello stato e autore del libro che per primo parla dei presunti campi di concentramento per meridionali nel nord Italia: I lager dei Savoia Controcorrente Ha al suo attivo numerose pubblicazioni sui temi legati al Risorgimento e alla valorizzazione della storia e della cultura del Sud in chiave neoborbonica, questi i titoli dei suoi principali lavori:.

Gennaro De Crescenzo […]. Domenica 30 marzo, infatti, sono previste le relazioni del prof. Molti sono gli argomenti che negli ultimi anni sono stati oggetto di dibattito e polemica tra gli autori neoborbonici e i vari esponenti del mondo accademico. Sullo stato del Regno delle Due Sicilie alla vigilia della spedizione garibaldina. Mezzogiorno, rivoluzione, guerra civile, Roma, Donzelli, Michele e i fratelli Magnoni nella rivoluzione meridionale Sulla deportazione in campi di concentramento degli ex soldati borbonici.

XXX , n. XXXII , n. Intanto Felice ha ammesso di essersi sbagliato sulle sue stime in un articolo apparso sul Mattino. Se volesse per intanto proporci un testo Lei, saremmo lieti di redazionarlo e — eventualmente — pubblicarlo. Questo sito usa Akismet per ridurre lo spam. Scopri come i tuoi dati vengono elaborati. Michele Marzana , La controstoria neoborbonica: A cura di Carla Marcellini e Giovanni Palmieri. Tre sono i principali leit motiv retorici sui quali gli autori neoborbonici hanno costruito le loro argomentazioni: Ecco la recensione pubblicata sul sito del Movimento Neoborbonico: Considerazioni dalla conferenza annuale Forse potrebbero interessarti anche Mario il 16 ottobre alle Redazione il 16 ottobre alle Marcello il 16 settembre alle La didattica come trasformazione.

Siamo in grado di comprendere i subalterni? Caro Nino, ti scrivo. Il giorno che ho indossato i tuoi occhiali. Quale storia per il XXI secolo. Hanna non chiude mai gli occhi. Un libro per appassionare i ragazzi. Gli storici parlano di formazione dei docenti. I Giovani e la storia. Wikipedia come storia pubblica. Guida critica alla Casa della Storia Europea. Storia e memoria della Russia sovietica nella Russia di Putin. Cantieri mobili di storia nei paesi del doposisma. Urban game della Liberazione. Wikipedia, la palestra della storia pubblica: Il ciclista della memoria.

Per non dimenticare Sciesopoli. Laboratorio di didattica controversiale. Prospettive per la didattica della Storia in Italia e in Europa. Ascesa e declino del primato europeo tra Otto e Novecento. Storia, didattica e audiovisivi. Lessico, problemi e storia. Parlamento europeo, elezioni e partiti fra europeismo ed euroscetticismo. Strumenti concettuali, storia e un dossier didattico.

Sintesi storica e focus didattici. I nazionalismi in Europa. Abbiamo ancora bisogno della storia? Recensione del volume di Serge Gruzinski. Quando la ricerca didattica funziona. Il caso della Germania. Don Milani il sovversivo. Storia di una Lettera e del suo messaggio. Insegnare storia in Estonia. La didattica della memoria nella scuola di oggi. Il massacro degli italiani a Treuenbrietzen. Il fenomeno delle radio libere in Italia. Gli strumenti per insegnare la storia della Repubblica. Il nuovo diritto di famiglia e il ruolo della donna.

Breve viaggio nella tragedia del Vajont. La memoria del ritorno. Il dopoguerra degli ex deportati politici nel Friuli Venezia Giulia. Lo sbarco della Vlora. Drive In e la fast TV. La fabbrica dei veleni. Linguaggi di ieri e di oggi: Una libreria della Repubblica. Settanta libri per settanta anni di Italia repubblicana. Sviluppo globale, crisi globali: Un libro per riflettere sui luoghi della memoria dei conflitti mondiali. Il caso di Cipro. Il difficile equilibrio tra tradizione museale e innovazione storiografica. A proposito di Public History. Life in the U.

Le immagini che non ti ho detto. Un approccio critico-didattico alla comunicazione visuale. Che forma ha un lager? Il progetto di un plastico della Risiera di San Sabba. Studiare il Novecento oggi. I found it interesting that ancient Buddhist identity theories today correspond to what is described and diagnosed as schizophrenia. The protagonist, Sumiko, is a non-character: According to her teachers at the institute she is autistic, most likely she is a Buddha who moved beyond the common level of human interaction. It is on this level that Sumiko and Yuki, her teacher, meet.

Each reading of the book may correspond to a different interpretation path: At each reading, Sumiko may be something else. It is up to the reader: Specimen likes the web, but it likes being a book as well, so it will occasionally take the form of fine prints or digital publications on-demand.


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And as it likes voices, flesh and blood too, it will speak and read at events and festivals. Esistenza difficile e breve, minata da alcol, depressione e internamento psichiatrico.


  1. Awaken from the Dream.
  2. Mimosa (La Dentelle du Cygne) (French Edition).
  3. Reproductive Biology of Invertebrates, Progress in Reproductive Endocrinology: Volume 8.
  4. Aliens and Angels II: The Beginning of the Seven Seals.
  5. Posthumously recognized as one of the most important voices in twentieth century Brazilian literature, Lima Barreto led a brief and difficult existence, weakened by alcohol, depression and psychiatric institutionalization. In his writings, he depicts the world of the defeated of his city with a moving and original outlook, without sparing criticism against the Brazilian culture of his time.

    The version of the short story that is published and translated here is the most recent one, published in Contos Completos de Lima Barreto , Sao Paulo, Companhia das Letras, No es lo mismo Beethoven mal interpretado que bien ejecutado. Suscribo plenamente con Nabokov aquello de que toda lengua tiene un equivalente exacto en todo texto nacido de otra lengua. After being heavily wounded in he was discharged. Years later he published a collection of short stories describing his war experiences.

    Initially, even without an office space. During those years all Soviet media were heavily politicized, pushing communism propaganda and leaving almost no space for anything else. But in fact they were the most coveted pieces of information. But in Kakabadze was dismissed from his position as editor-in-chief after refusing to publish a major Kremlin resolution assessing the work of the Georgian Communist Party — not related to sports at all. It was only after the fall of the Soviet empire that the Mikheil Kakabadze Award for the Best Sportswriter of the year was established in Georgia.

    And I felt regret that his legacy was in journalism and not in fiction. He never got to know his grandfather. We publish the Italian, Gaelic and Spanish versions of an erotic short story by Joanna Walsh, The Princess and the Penis , a tale of sex without body, or body without love, dependence and obsession, that touches upon issues of female sexuality and desire with amused originality and coarse and piercing details. Book and ebook are published by readux.

    These 5 new poems by Pulitzer Prize-winning poet Charles Simic have been written, and translated into Italian, expressly for La Milanesiana We would like to thank Charles Simic, Adelphi publishing house, and Elisabetta Sgarbi, founder and artistic director of La Milanesiana, for kindly granting us permission to publish the poems. Le cinque poesie inedite di Charles Simic qui proposte sono state scritte e tradotte appositamente per La Milanesiana Si ringraziano Charles Simic, la casa editrice Adelphi e Elisabetta Sgarbi, ideatrice e direttrice della Milanesiana, per averci gentilmente concesso di riprodurre le poesie.

    Submarine convergence, submarine roots floating free: Specimen asks the web: Specimen is interactive and customizable: For translators of Italian literature from any country to celebrate their body of work. Submissions will be accepted through September 15, Darin finden sich u. If it is true that we can think only by way of language, if, as Wittgenstein put it, every philosophical interrogation can be presented as an interrogation of the meaning of words, then translation is one of the eminent means by which man thinks his words.

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    Culture is born out of exchanges and thrives on differences. The death of culture lies in self-centredness, self-sufficiency and isolation. La cultura nasce dagli scambi e cresce grazie alle differenze. Super families are collections of coordinated type families that cross type classifications, and are designed to work together in perfect harmony. It becomes much more difficult because the hardest thing in the world is simplicity. And the most fearful thing, too. You want to write a sentence as clean as a bone. That is the goal.

    What is a word? I think that, in the end, they are the same thing. As a word can have several dimensions, several nuances, such complexity, so does a person, and a life. The language is the mirror, the main metaphor. Because, after all, the meaning of a word, just like the meaning of a person, is something boundless, ineffable. Cage once told me of a lesson he learned from Arnold Schoenberg, who taught him counterpoint while he was still living in Los Angeles.

    L’insegnamento della storia mediterranea: prospettive europee e mondiali

    Cage offered many solutions to a technical problem his teacher posed, but Schoenberg kept asking for yet another answer. Then he asked what the principle underlying all the solutions was. This happened in and it would be at least fifteen more years before I could answer his question. Now I would answer that the principle underlying all of our solutions is the question we ask.

    Cage aveva proposto varie soluzione a un problema tecnico postogli dal maestro, ma Schoenberg continuava a chiedergliene ancora una. Nel parcheggio di un motel di Marfa al calare della notte, Giorgio Vasta e Ramak Fazel, il fotografo che lo accompagna per i deserti e le ghost town degli Stati Uniti, si trovano a discutere, mentre preparano un piatto di maccheroni su un fornello da campo, di antropofagia e del senso ultimo del viaggio. While cooking macaroni on a camp stove in the darkening parking lot of a motel in Marfa, Texas, Giorgio Vasta and photographer Ramak Fazel engage in a passionate discussion about anthropophagy and the ultimate meaning of travelling.

    Absolutely Nothing is the fifth volume of a travelogue series jointly published by Humboldt and Quodlibet. We would like to thank the author and publishers for kindly granting us permission to reproduce this excerpt. Un olvido animado por la vanidad, el temor de confesar procesos mentales que adivinamos peligrosamente comunes, el conato de mantener intacta y central una reserva incalculable de sombra, velan las tales escrituras directas.

    Bertrand Russell define un objeto externo como un sistema circular, irradiante, de impresiones posibles; lo mismo puede aseverarse de un texto, dadas las repercusiones incalculables de lo verbal. Un parcial y precioso documento de las vicisitudes que sufre queda en sus traducciones. No problem is more consubstantial to literature and its modest mystery as the one posed by translation. The forgetfulness induced by vanity, the fear of confessing mental processes that may be divined as dangerously commonplace, the endeavour to maintain, central and intact, an incalculable reserve of obscurity: Translation, in contrast, seems destined to illustrate aesthetic debate.

    The model to be imitated is a visible text, not an immeasurable labyrinth of former projects or a submission to the momentary temptation of fluency. Bertrand Russell defines an external object as a circular system radiating possible impressions; the same may be said about a text, given the incalculable repercussions of words.

    Translations are a partial and precious documentation of the changes the text suffers. Are not the many versions of the Iliad —from Chapman to Magnien—merely different perspectives on a mutable fact, a long experimental game of chance played with omissions and emphases? There is no essential necessity to change language; this intentional game of attention is possible within a single literature.

    To assume that all recombination of elements is necessarily inferior to its original form is to assume that draft nine is necessarily inferior to draft H—for there can be only drafts. LOWELL I think it can only have integrity apart from the beliefs; that no political position, religious position, position of generosity, or what have you, can make a poem good. But these things will never per se make a poem. I say once because when I arrived to London, I decided to forget it i.

    I had to replace it from scratch, and perhaps without being conscious of it, with the language of another master. Perhaps, that is why I studied art and design: In translating the story, I was also unearthing memories. For when I was searching for words, online or in dictionaries, and found a few alternative meanings, I found myself exclaiming: I remember this word.

    I remember that word. I felt enriched by both, the past and the present associations. My sensations and feelings about those words sometimes veered from their given meaning in the dictionary. Arabic is a decorative language. I could needlessly have been lost in sea of adjectives and seduced by its lyrically derived words from mostly three root letters. I am struck by the child-like intensity of feeling I get upon reading an Arabic word aloud now. However, writing the stories in the limited English I have acquired over these odd years made me write very slowly, as the right words would not come easily.

    This failure to find the words to express my thoughts and the failure to write a sentence correctly after repeated attempts would often lead me to abandon my writing for long periods. Though time-consuming, this slowness gave me more time to think about what I was writing, until perhaps, my intentions had matured. This delay then would become a creative act. Writing in English, the thoughts lead my writing; were I to write in Arabic, the words would.

    I am half Eritrean, half Ethiopian. We escaped the war to Sudan when I was 3 or 4 years old. I speak Arabic as well as the Arabs and I speak English well enough in my own accent to communicate my ideas. For all of you, art provided an escape. When did you realise you wanted to be an artist? In the book I describe meeting some art students on the beach in Shitang as a very young child, and immediately feeling a connection with them.

    But it was when I started reading western books as a teenager that I felt rage about my own childhood. It was this rage and bitterness that sent me into the world of literature. I testi scelti dalla scrittrice sono: The distinguishing nature of something. Any letter, numeral, punctuation mark, and other sign included in a font. The quality of being an individual in an interesting way.

    Also, in unusual ways. And there, they are instantly recognised and greeted by a host of other words, with whom they have an affinity of meaning, or of opposition, or of metaphor or alliteration or rhythm. They are questioning the roles I allotted them.

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    So I modify the lines, change a word or two, and submit them again. Specimen stems from Babel, which was born in the middle of the Swiss Alps. Switzerland, Babel and Specimen have the same mother tongue, translation. Italian, French, German, English. Le altre sezioni parlano del risveglio la mattina del compleanno, della separazione, di una casa lasciata e delle strade di Londra.

    The day is January 7, He is a writer unafraid of deep silences and of holding us there. But underneath the narratives, buried in a phrase or a thought, is a glimpse of humor, the scent of bitter oranges, the smell of fresh rain after a drought — through small but powerful images of beauty, he manages to connect us with something greater than human misery, and that is simply the fact of being human. One or another circumstance blocked the road. Brodsky was not a Christian in the strict sense of the term—definitely not a churchgoer—but he possessed a profound sense of the Christian tradition as a major force in the shaping of Western culture.

    And he was invariably drawn, in his poetry and his life, by the metaphysics of the Gospel and the Ancient Testament alike, which he often found himself expanding beyond the limits of doctrine. Iosif Brodskij non era cristiano nel senso stretto del termine — certamente non era un praticante — ma possedeva un profondo senso della tradizione cristiana quale elemento fondante della cultura occidentale.

    https://recomcuderpo.tk/global-folk-music/lock-picking-101-skills-to.pdf

    La controstoria neoborbonica: il racconto di un altro Risorgimento

    Ed era invariabilmente attratto, sia nella poesia che nella vita, dalla metafisica delle storie neo e veterotestamentarie, che spesso si trovava ad espandere oltre i limiti della dottrina. Specimen chases second languages in all their forms because translations, multilingualism, echolalias and linguistic hospitalities multiply the layers of language and pronounce diversities. They force us to have second thoughts. They give us a second chance. The first poems date back to the s, and the last, to , the year of his death. Orelli had a long life, but he was a poet of relatively scant output and he was, above all, very selective.

    His books show a continuous formal evolution and, at the same time, a tenacious loyalty to his themes and locations. The consistency and overall quality of his work are impressive. Even among the texts he wrote at the age of 90, there are some masterpieces that seem to reach a new level of simplicity and transparency. Themes of transience and death are always present in his work, but they appear as shadows and outlines that, however threatening, render the colours of life even brighter. Or they appear as the opposite: Orelli is fundamentally a realist poet; he loved day-to-day reality too much to distance himself from it completely, but that did not stop him from writing poems that have aspects of fantasy and fable to them, sometimes even the dreamlike and the metaphysical, because these dimensions are part of our lives as well.

    Among his best-known poems, there are encounters on the streets of Bellinzona; adventures that are slight, but still adventures; dialogues composed of a few memorable lines. For him, each encounter is also a linguistic event into which he can introduce the Italian poetic tradition that of Dante, first and foremost , puns and Freudian slips, the wonderful inventions of children, the sometimes alienating snippets of a foreign language or the telling witticisms of a dialect. All of this coexists in the poetry of Orelli — just as it was embodied in the poet himself — with extraordinary vivacity and naturalness.

    What keeps them at such times from disintegration is not legions but language. Such was the case of Rome, and before that, of Hellenic Greece. The job of holding the center at such times is often done by the men from the provinces, from the outskirts. Contrary to popular belief, the outskirts are not where the world ends — they are precisely where it begins to unfurl.

    Unlike most accounts of the genocide, there are no historical reconstructions or political and sociological analyses in this book. The imaginary line upon which the letters in a font appear to rest. Although I love you, you will have to leap; Our dream of safety has to disappear.

    A translated poem is necessarily a new thing, but it has a relationship with the original. The linguistic arrow rather than the narrative arc. Specimen looks for types that keep moving, writers who are driven by language: That activity at certain points of your day or night insists on a certain kind of response.

    Even when I was healthy, I was sensitive to the process. E in certi momenti del giorno o della notte ti spinge ad avere un certo tipo di reazioni. A volte dice semplicemente: Sforzati di mangiare un sandwich. A questo punto dei giochi, sento che mi dice: Ai miei studenti faccio imparare a memoria, per semestre, qualcosa come 1. Its themes of war, migration, sexual violence and sanctuary are so resonant that last December the Los Angeles Times asked whether anyone would risk adapting it. The speeches are delivered as rhythmically and sonorously as the score. But the immense value of this production lies in the safe space it offers to explore timeless but urgent questions: The scope of languages, alphabets and styles published by Specimen: Specimen will feature every written genre, as well as their mixes and combinations.

    Specimen is oh-so-open, yet in a way concealed in the partially enclosed, somewhat rounded negative space in some characters. And so, thanks to a long experience in publishing that goes all the way back to movable type printing, Specimen brings to the web the typographical and editorial touch of the finest publications on paper.

    And a slow pace too. The great Rodin, while examining one of his own sculptures, kept saying: Indeed, he had the feeling of not being the only creator of his work. Can a work of art be the outcome of a monologue? In their effort to divorce language and experience, deconstructionist critics remind me of middle-class parents who do not allow their children to play in the street. Specimen stems from Babel, the festival of literature and translation which right from its inception has welcomed writers from the most diverse cultures, detected a worldwide network of affinities, and seen to the publication of columns, magazines and entire book series.

    Now, Specimen aims at overcoming the boundaries of Babel and at reaching out to the world, through the web, lightly. The world is a text with several meanings, and we pass from one meaning to another by a process of work. With a special inclination for second languages and hybrid forms. Specimen engages a wide network of writers, artists and thinkers, and foregrounds relation as the core of its approach. Our deepest thanks to Derek, then, and to Harry and all the publishers for granting us permission to print the original poems and the French translations, to Peter Doig for the reproductions of his paintings, and to Matteo Campagnoli for the Italian versions.

    Rilke preferred to wrestle with the questions — and even commands — implied by the existence of the flawed, the broken, the caged, and answered, or obeyed, slowly, painfully, over time. When I was asked to give an account of the way my ideas have developed from my life, I thought that the concept of the boundary might be the fitting symbol for the whole of my personal and intellectual development.

    At almost every point, I have had to stand between alternative possibilities of existence, to be completely at home in neither, and to take no definitive stand against either. Since thinking presupposes receptiveness to new possibilities, this position is fruitful for thought; but it is difficult and dangerous in life, which again and again demands decisions and thus the exclusion of alternatives.

    Specimen Types

    This disposition and its tension have determined both my destiny and my work. Questa disposizione e la tensione che ne deriva hanno determinato sia il mio destino che il mio lavoro. The literary man is an interpreter and hardly succeeds, as the musician may, without experience and mastery of human affairs. His art is half genius and half fidelity. He needs inspiration; he must wait for automatic musical tendencies to ferment in his mind, proving it to be fertile in devices, comparisons, and bold assimilations.

    Yet inspiration alone will lead him astray, for his art is relative to something other than its own formal impulse; it comes to clarify the real world, not to encumber it. I think she should have taken one further step. People who send you bills do that. People who want to sell you things so they can send you bills do that. People who want to tell you things so they can sell you things so they can send you bills do that. You are advancing an art—the art. That is what you are trying to do.

    Credo che avrebbe dovuto fare un ulteriore passo. Non scrivi per nessuno.

    laura saldarini’s review of Il Quaderno: Testi scritti per il blog

    La gente che ti manda le fatture scrive per qualcuno. About us Contacts Newsletter Partners. Writers Languages Topics Dossiers. Volkshaus, Galeriesaal Basel, Switzerland Poethreesome goes to BuchBasel. Compagnia delle poete translates Jean-Charles Vegliante. Babel goes to fill. Ottobre svizzero a Roma. Cinque poesie da Bocksten. Leukerbad, Switzerland June July 1, Oath to the Queen from Lucifer Over London. Three Poems from Clous.

    Specimen goes to Festival Internazionale di Poesia di Genova. Valerio Magrelli al Salone del libro. Chiasso, Switzerland May , Sydney, Australia April May 6, Specimen Goes to Book Pride.

    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)
    Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition) Il Quaderno: Testi scritti per il blog. Settembre 2008 - marzo 2009 (Italian Edition)

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